where to start with audio synthesis on iPhone - iphone

Question

I'd like to build a synthesizer for the iPhone. I understand that it's possible to use custom audio units for the iPhone. At first glance, this sounds promising, since there's lots and lots of Audio Unit programming resources available. However, using custom audio units on the iPhone seems a bit tricky ( see: http://lists.apple.com/archives/Coreaudio-api/2008/Nov/msg00262.html)
This seems like the sort of thing that loads of people must be doing, but a simple google search for "iphone audio synthesis" doesn't turn up anything along the lines of a nice and easy tutorial or recommended tool kit.
So, anyone here have experience synthesizing sound on the iPhone? Are custom audio units the way to go, or is there another, simpler approach I should consider?

Answer 1

I'm also investigating this. I think the AudioQueue API is probably the way to go.
Here's as far as I got, seems to work okay.
File: BleepMachine.h
//
// BleepMachine.h
// WgHeroPrototype
//
// Created by Andy Buchanan on 05/01/2010.
// Copyright 2010 Andy Buchanan. All rights reserved.
//
#include <AudioToolbox/AudioToolbox.h>
// Class to implement sound playback using the AudioQueue API's
// Currently just supports playing two sine wave tones, one per
// stereo channel. The sound data is liitle-endian signed 16-bit # 44.1KHz
//
class BleepMachine
{
static void staticQueueCallback( void* userData, AudioQueueRef outAQ, AudioQueueBufferRef outBuffer )
{
BleepMachine* pThis = reinterpret_cast<BleepMachine*> ( userData );
pThis->queueCallback( outAQ, outBuffer );
}
void queueCallback( AudioQueueRef outAQ, AudioQueueBufferRef outBuffer );
AudioStreamBasicDescription m_outFormat;
AudioQueueRef m_outAQ;
enum
{
kBufferSizeInFrames = 512,
kNumBuffers = 4,
kSampleRate = 44100,
};
AudioQueueBufferRef m_buffers[kNumBuffers];
bool m_isInitialised;
struct Wave
{
Wave(): volume(1.f), phase(0.f), frequency(0.f), fStep(0.f) {}
float volume;
float phase;
float frequency;
float fStep;
};
enum
{
kLeftWave = 0,
kRightWave = 1,
kNumWaves,
};
Wave m_waves[kNumWaves];
public:
BleepMachine();
~BleepMachine();
bool Initialise();
void Shutdown();
bool Start();
bool Stop();
bool SetWave( int id, float frequency, float volume );
};
// Notes by name. Integer value is number of semitones above A.
enum Note
{
A = 0,
Asharp,
B,
C,
Csharp,
D,
Dsharp,
E,
F,
Fsharp,
G,
Gsharp,
Bflat = Asharp,
Dflat = Csharp,
Eflat = Dsharp,
Gflat = Fsharp,
Aflat = Gsharp,
};
// Helper function calculates fundamental frequency for a given note
float CalculateFrequencyFromNote( SInt32 semiTones, SInt32 octave=4 );
float CalculateFrequencyFromMIDINote( SInt32 midiNoteNumber );
File:BleepMachine.mm
//
// BleepMachine.mm
// WgHeroPrototype
//
// Created by Andy Buchanan on 05/01/2010.
// Copyright 2010 Andy Buchanan. All rights reserved.
//
#include "BleepMachine.h"
void BleepMachine::queueCallback( AudioQueueRef outAQ, AudioQueueBufferRef outBuffer )
{
// Render the wave
// AudioQueueBufferRef is considered "opaque", but it's a reference to
// an AudioQueueBuffer which is not.
// All the samples manipulate this, so I'm not quite sure what they mean by opaque
// saying....
SInt16* coreAudioBuffer = (SInt16*)outBuffer->mAudioData;
// Specify how many bytes we're providing
outBuffer->mAudioDataByteSize = kBufferSizeInFrames * m_outFormat.mBytesPerFrame;
// Generate the sine waves to Signed 16-Bit Stero interleaved ( Little Endian )
float volumeL = m_waves[kLeftWave].volume;
float volumeR = m_waves[kRightWave].volume;
float phaseL = m_waves[kLeftWave].phase;
float phaseR = m_waves[kRightWave].phase;
float fStepL = m_waves[kLeftWave].fStep;
float fStepR = m_waves[kRightWave].fStep;
for( int s=0; s<kBufferSizeInFrames*2; s+=2 )
{
float sampleL = ( volumeL * sinf( phaseL ) );
float sampleR = ( volumeR * sinf( phaseR ) );
short sampleIL = (int)(sampleL * 32767.0);
short sampleIR = (int)(sampleR * 32767.0);
coreAudioBuffer[s] = sampleIL;
coreAudioBuffer[s+1] = sampleIR;
phaseL += fStepL;
phaseR += fStepR;
}
m_waves[kLeftWave].phase = fmodf( phaseL, 2 * M_PI ); // Take modulus to preserve precision
m_waves[kRightWave].phase = fmodf( phaseR, 2 * M_PI );
// Enqueue the buffer
AudioQueueEnqueueBuffer( m_outAQ, outBuffer, 0, NULL );
}
bool BleepMachine::SetWave( int id, float frequency, float volume )
{
if ( ( id < kLeftWave ) || ( id >= kNumWaves ) ) return false;
Wave& wave = m_waves[ id ];
wave.volume = volume;
wave.frequency = frequency;
wave.fStep = 2 * M_PI * frequency / kSampleRate;
return true;
}
bool BleepMachine::Initialise()
{
m_outFormat.mSampleRate = kSampleRate;
m_outFormat.mFormatID = kAudioFormatLinearPCM;
m_outFormat.mFormatFlags = kAudioFormatFlagIsSignedInteger | kAudioFormatFlagIsPacked;
m_outFormat.mFramesPerPacket = 1;
m_outFormat.mChannelsPerFrame = 2;
m_outFormat.mBytesPerPacket = m_outFormat.mBytesPerFrame = sizeof(UInt16) * 2;
m_outFormat.mBitsPerChannel = 16;
m_outFormat.mReserved = 0;
OSStatus result = AudioQueueNewOutput(
&m_outFormat,
BleepMachine::staticQueueCallback,
this,
NULL,
NULL,
0,
&m_outAQ
);
if ( result < 0 )
{
printf( "ERROR: %d\n", (int)result );
return false;
}
// Allocate buffers for the audio
UInt32 bufferSizeBytes = kBufferSizeInFrames * m_outFormat.mBytesPerFrame;
for ( int buf=0; buf<kNumBuffers; buf++ )
{
OSStatus result = AudioQueueAllocateBuffer( m_outAQ, bufferSizeBytes, &m_buffers[ buf ] );
if ( result )
{
printf( "ERROR: %d\n", (int)result );
return false;
}
// Prime the buffers
queueCallback( m_outAQ, m_buffers[ buf ] );
}
m_isInitialised = true;
return true;
}
void BleepMachine::Shutdown()
{
Stop();
if ( m_outAQ )
{
// AudioQueueDispose also chucks any audio buffers it has
AudioQueueDispose( m_outAQ, true );
}
m_isInitialised = false;
}
BleepMachine::BleepMachine()
: m_isInitialised(false), m_outAQ(0)
{
for ( int buf=0; buf<kNumBuffers; buf++ )
{
m_buffers[ buf ] = NULL;
}
}
BleepMachine::~BleepMachine()
{
Shutdown();
}
bool BleepMachine::Start()
{
OSStatus result = AudioQueueSetParameter( m_outAQ, kAudioQueueParam_Volume, 1.0 );
if ( result ) printf( "ERROR: %d\n", (int)result );
// Start the queue
result = AudioQueueStart( m_outAQ, NULL );
if ( result ) printf( "ERROR: %d\n", (int)result );
return true;
}
bool BleepMachine::Stop()
{
OSStatus result = AudioQueueStop( m_outAQ, true );
if ( result ) printf( "ERROR: %d\n", (int)result );
return true;
}
// A (A4=440)
// A# f(n)=2^(n/12) * r
// B where n = number of semitones
// C and r is the root frequency e.g. 440
// C#
// D frq -> MIDI note number
// D# p = 69 + 12 x log2(f/440)
// E
// F
// F#
// G
// G#
//
// MIDI Note ref: http://www.phys.unsw.edu.au/jw/notes.html
//
// MIDI Node numbers:
// A3 57
// A#3 58
// B3 59
// C4 60 <--
// C#4 61
// D4 62
// D#4 63
// E4 64
// F4 65
// F#4 66
// G4 67
// G#4 68
// A4 69 <--
// A#4 70
// B4 71
// C5 72
float CalculateFrequencyFromNote( SInt32 semiTones, SInt32 octave )
{
semiTones += ( 12 * (octave-4) );
float root = 440.f;
float fn = powf( 2.f, (float)semiTones/12.f ) * root;
return fn;
}
float CalculateFrequencyFromMIDINote( SInt32 midiNoteNumber )
{
SInt32 semiTones = midiNoteNumber - 69;
return CalculateFrequencyFromNote( semiTones, 4 );
}
//for ( SInt32 midiNote=21; midiNote<=108; ++midiNote )
//{
// printf( "MIDI Note %d: %f Hz \n",(int)midiNote,CalculateFrequencyFromMIDINote( midiNote ) );
//}
Update: Basic usage info
Initialise. Somehere near the start, I'm using initFromNib: in my code
m_bleepMachine = new BleepMachine;
m_bleepMachine->Initialise();
m_bleepMachine->Start();
Now the sound playback is running, but generating silence.
In your code, call this when you want to change the tone generation
m_bleepMachine->SetWave( ch, frq, vol );
where ch is the channel ( 0 or 1 )
where frq is the frequency to set in Hz
where vol is the volume ( 0=-Inf db, 1=-0db )
At program termination
delete m_bleepMachine;

Answer 2

Since my original post almost a year ago, I've come a long way. After a pretty exhaustive search, I came up with very few high-level synthesis tools suitable for iOS development. There are many which are GPL licensed, but the GPL license is too restrictive for me to feel comfortable using it. LibPD works great, and is what rjdj uses, but I found myself really frustrated by the graphical programming paradigm. JSyn's c-based engine, csyn, is an option, but it requires licensing, and I'm really used to programming with open-source tools. It does look worth a close look though.
In the end, I'm using STK as my basic framework. STK is a very low-level tool, and requires extensive buffer-level programming to get working. This is in contrast to something higher level like PD or SuperCollider, which allows you to simply plug unit generators together and not worry about handling the raw audio data.
Working this way with STK is certainly a bit slower than with a high level tool, but I'm becoming comfortable with it. Especially now that I'm becoming more comfortable with C/C++ programming in general.
There's a new project under way to create a patching-style add on to Open Frameworks. It's called Cleo I think, out of the University of Vancouver. It hasn't been released yet, but it looks like a very nice mix of patching-style connection of unit generators in C++ rather than requiring the use of another language. And it's tightly integrated with Open Frameworks, which may be appealing or not, depending.
So, to answer my original question, first you need to learn how to write to the output buffer. Here's some good sample code for that:
http://atastypixel.com/blog/using-remoteio-audio-unit/
Then you need to do some synthesis to generate the audio data. If you like patching, I wouldn't hesitate to recommend libpd. It seems to work great, and you can work the way you're accustomed to. If you hate graphical patching (like me), your best starting place for now is probably STK. If STK and low-level audio programming seems a bit over your head (like it was for me), just roll up your sleeves, pack a tent, and set up on a bit of a long hike up the learning curve. You'll be a much better programmer for it in the end.
Another bit of advice I wish I could have given myself a year ago: join Apple's Core Audio mailing list.
============== 2014 Edit ===========
I'm now using (and actively contributing to) the Tonic audio synthesis library. It's awesome, if I don't say so myself.

Answer 3

With the enormous caveat that I have yet to get past all the documentation or finishing browsing some classes / sample code, it looks like the fine folks from CCRMA over at Stanford may have put some nice toolkits together for our audio hacking pleasure. No guarantees these will do exactly what you want, but based on what I know about the original STK, they should do the trick. I'm about to embark on an audio synth app myself and the more code I can reuse, the better.
Links / descriptions from their site...
MoMu : MoMu is a light-weight software toolkit for creating musical instruments and experiences on mobile device, and currently supports the iPhone platform (iPhone, iPad, iPod Touches). MoMu provides API's for real-time full-duplex audio, accelerometer, location, multi-touch, networking (via OpenSoundControl), graphics, and utilities. (yada yada)
• and •
MoMu STK : The MoMu release of the Synthesis Toolkit (STK, originally by Perry R. Cook and Gary P. Scavone) is a lightly modified version of STK 4.4.2, and currently supports the iPhone platform (iPhone, iPad, iPod Touches).

Answer 4

I'm just getting into Audio Unit programming for iPhone to build a synth-like app as well. The Apple guide "Audio Unit Hosting Guide for iOS" seems like a good reference:
http://developer.apple.com/library/ios/#documentation/MusicAudio/Conceptual/AudioUnitHostingGuide_iOS/AudioUnitHostingFundamentals/AudioUnitHostingFundamentals.html#//apple_ref/doc/uid/TP40009492-CH3-SW11
The guide includes links to a couple sample projects. Audio Mixer (MixerHost) and aurioTouch:
http://developer.apple.com/library/ios/samplecode/MixerHost/Introduction/Intro.html#//apple_ref/doc/uid/DTS40010210
http://developer.apple.com/library/ios/samplecode/aurioTouch/Introduction/Intro.html#//apple_ref/doc/uid/DTS40007770

Answer 5

I'm one of the other contributors to Tonic along with morgancodes. For wrangling CoreAudio in a higher-level framework, I can't give enough praise to The Amazing Audio Engine.
We've both used it in tandem with Tonic in a number of projects. It takes so much of the pain out of dealing with CoreAudio directly, letting you focus on the actual content and synthesis instead of the hardware abstraction layer.

Answer 6

Lately I've been using AudioKit
It's a fresh and well designed wrapper over CSound which has been around for ages
I was using tonic with openframeworks and I was finding myself missing programming in swift.
Although tonic and openframeworks are both powerful tools,
I've chosen to get in bed with swift

Answer 7

PD has a version that runs on the iphone, used by RjDj. If you are OK with using someone else's app rather than writing your own, you can do quite a bit in an RjDj scene, and there is a set of objects that let you patch it out and test it on a regular PD on your own computer.
I should mention: PD is a visual dataflow programming language, that is to say, it is turing complete, and can be used to develop graphical applications - but if you are going to do anything interesting I would definitely look into best practices for patching.

Answer 8

Last time I checked you couldn't use custom AUs on iOS in a way that would allow all installed apps to use it (like on MacOS X).
You could theoretically use a custom AU from inside your iOS app by loading it from the app's bundle and calling the AU's render function directly, but then you could as well add the code directly to your app. Also, I'm pretty sure that loading and calling code that sits in a dynamic library would go against the AppStore policies.
So you will either have to do the processing in your remote IO callback or use the Apple AUs that are preinstalled, within an AUGraph.