I am writing a model that animates a network that changes layout from a tree to a Hilbert curve and vice-versa. When in Hilbert mode, I want the world to wrap like a torus.
All other times I want the world to be a box. Since 3.1 there are no longer any no-wrap distance primitives in NetLogo, but is there any way to set the wrapping of the world from within my program? Neither the user guide nor the Netlogo Dictionary mention this.
For now, you can use __change-topology. See
https://groups.google.com/forum/#!topic/netlogo-devel/bQeerTqb-R4
Related
I am currently in High School, and I am in an APCSP (AP Computer Science Principles) class, which in my case is learning in Scratch programming. I am confused and have practically no idea what I'm doing. Scratch is very confusing and I feel like it's pointless to learn.
My question is this: Can anyone help me on how to make a Maze Generator on Scratch, as this is my project and it's giving me struggles.
Thank you.
It's actually possible to build with scratch but depends on what you are looking for. I assume you want to generate a simple maze like in old fashioned 8-bit games like boulder dash.
First decide on the size of your maze: for example 5 x 5 blocks.
If you want to create a maze, imagine drawing it on a grid on paper. Blocks are either "empty" or filled in. Our maze can be represented by numbers. The empty blocks are represented by a 0 and the filled blocks with a 1.
You could visualize that matrix like this if all blocks are empty:
0,0,0,0,0,
0,0,0,0,0,
0,0,0,0,0,
0,0,0,0,0,
0,0,0,0,0
Adding a border wall while keeping the inside empty would look like:
1,1,1,1,1,
1,0,0,0,1,
1,0,0,0,1,
1,0,0,0,1,
1,1,1,1,1
Using a "list" variable to store this information would fit best within the possibilities of MIT Scratch.
In this case, you need to understand that each block in our maze is represented by a position in above matrix. You could draw numbers on a piece of paper in the shape and size of your grid / matrix as a reference to remember the position of each block if that makes it easier.
We also need to look at how our maze will relate to the Stage size. The width and height in pixels of a default scratch project is 480x360.
A 5 x 5 maze is divided in blocks of 480 / 5 = 96 width and 360 / 5 = 72 height. In other words, a block needs to be 96x72 pixels, based on a full screen maze.
Next step, is creating a sprite representing the visualization of the blocks of the maze. I would keep the first "costume" of our block sprite empty, and create a fully filled block to represent the walls of the maze.
After that, we need to programmatically create our maze. I made an example you can explore of random drawing of the blocks of a maze:
https://scratch.mit.edu/projects/278731659/
(You can change the rows & columns value to see it scale up, but remember the limit to the amount of clones the block sprite can have is 300)
This is just to get you started and by no means a complete solution. I just hope this helps you think in the right direction.
You can make this more advanced, by adding a function to explore and correct our randomly drawn grid to generate a walkable path from position x to position y. A rule you can program is for example: Every empty position in the grid should have at least two other empty positions in the spaces above, below, left and right of it.
There are many different ways to do this; whether this is with sprites and stamp or 2D lists and pen. Either way, the main component is the algorithm. This wikipedia page gives details on how maze generation works and few different algorithms. There is also a video series by The Coding Train here where he creates a maze generator with the 2D list method from above (this method is a bit harder on scratch, however). Either way, the best thing to do is to look at examples others have made, figure out how they work, and try to recreate them or make them better. Here's a good place to get started.
Scratch IS truly pointless! A simple maze generator would have you use the pen to draw predefined shapes (Such as a long hallway or intersection). You should also make (invisible) squares to separate everything and have the program draw in the squares.
I will put a link later that leads to a sample project that has the code.
Check out this video by griffpatch
https://www.youtube.com/watch?v=22Dpi5e9uz8
This was one of my projects, and the instructor provided this video for everyone to follow and expand from.
I'm trying to make a simplified version of crazy taxi . For the first step i need to make an infinite ground . I'VE searched online but couldn't find any examples .
Can i find any example of how to do this ?
https://www.youtube.com/watch?v=rhTPxrJICVg&list=PLLH3mUGkfFCXQcNBz_FZDpqJfQlupTznd
N3K makes an infinite runner in Subway Surfers style, meaning ground coming from the back and going towards the camera.
The above link is to his tutorial series.
This is a very broad question I try to give a very simplified answer to get you going.
To create endless road you need some sort of procedural function that generates corners for your track. If you do not need to backtrack you can cook something up yourself like (in X distance turn X degrees to the right). If you do need to backtrack you need something like perlin/simplex noise that always generates the same value based on 1 or more other values. You could use total distance to get the curve in the road.
You simply keep generating the world on the fly and unload pieces of the world you don't need any more. If the player can alter the world like destroying street furniture or leaving skitmarks you need to implement a chunk system. When you backtrack and generate a cerain part of the world with your procedural function you can have permanent changes the player made in that specific part by saving and loading to the chunk. Much like Minecraft does it actually.
A recent question here made me think of SceneKit again, and I remembered a problem I never solved.
My app displays antenna designs using SK. Most antennas use metal rods and mesh reflectors so I used SCNCylinder for the rods, SCNPlane for the reflector and SCNFloor for the ground. The whole thing took a couple of hours, and I'm utterly noob at 3D.
But some antennas use wires bent into arcs or helixes, and I punted here and made crappy segmented objects using several cylinders end-to-end. It looks ass-tastic.
Ideally I would like a single object that renders the arc or helix with a cylindrical cross section. Basically SCNTorus, but with a start and end angle. This post talks about using a UIBezierPath in SK, but it uses extrude to produce a ribbon-like shape. Is there a way to do something similar but with a cylinder cross section (like a partial SCNTorus)?
I know I can make a custom shape by creating the vertexes (and normals and such) but I'm hoping I missed a simpler solution.
An arc you can do with SCNShape. Start with the technique from my other answer to get an extruded, ribbon-like arc. You'll want to make sure that the part where your path traces back on itself is offset by a distance the same as your extrusion depth, so you end up with a shape that's square in cross section.
To make it circular in cross section, use the chamferProfile property — give it a path that's a quarter circle, and set the chamfer radius equal to half the extrusion depth, and the four quarter-circle chamfers will meet, forming a circular cross section.
A helix is another story. SCNShape takes a planar path — one that varies in only two dimensions — and extrudes it to make a three-dimensional solid. A helix is a path that varies in three dimensions to start with. SceneKit doesn't have anything that describes a shape in such terms, so there's no super simple answer here.
The shader modifier solution #HalMueller alludes to is interesting, but problematic. It's simple to use a modifier at the geometry entry point to make a simple bend — say, offset every y coordinate by some amount, even by an amount that's a function of why. But that's a one-dimensional transform, so you can't use it to wrap a wire around on itself. (It also changes the cross section.) And on top of that, shader modifiers happen on the GPU at render time, so their effects are an illusion: the "real" geometry in SceneKit's model is still a cylinder, so features like hit testing apply to that and not to the transformed geometry.
The best solution to making something like a helix is probably custom geometry — generating your own vertex data (SCNGeometrySource). The math for finding the set of points on a helix is pretty simple if you follow that shape's definition. To wrap a cross section around it, follow the Frenet formulas to create a local coordinate frame at each point on the helix. Then make an index buffer (SCNGeometryElement) to stitch all those points into a surface with triangles or tristrips. (Okay, that's a lot of hand-waving around a deep topic, but a full tutorial is too big for an SO answer. This should be enough of a breadcrumb to get started, though...)
Here are some starting points that might help.
One approach would be to use more cylinders and make them shorter. That's the same idea behind the various segmentCount properties on the SCNGeometry primitives. Can we see a screenshot of the current linked cylinders version?
If you increase the heightSegmentCount, you could use the approach outlined here: scenekit, how to bend an object.
I just took a look at SCNShape. I was thinking you could use a shader modifier to warp the extruded shape into a circular cross section. But SCNShape doesn't seem to expose a segment count property, which I think you'd need to create enough extrusion segments for a good look. The chamferRadius and chamferProfile properties look interesting. I wonder if you could use those to create an extrusion that looks good.
i want to make fruit ninja blade. i am using cocos2d and the MotionStreak is really ugly for this. Any other approach or better settings for MotionStreak? maybe particle system? any free great tools similar to ParticleDesigner?
I have my own implementation with OpenGL triangle strips mapped with texture. The blade is very smooth if the distances between adjacent points are small enough. I use linear interpolation to insert more points between two points which the distance is greater than a predefined constant. I'm thinking of use order 2 interpolation but the implementation is more difficult and the performance may reduces.
Source code is available here https://github.com/hiepnd/CCBlade
i don't know how much effort it will take but the thing is you can create and change shape of filter and just apply a white to gray gradient as it's texture, it'll give a very good looking results. i myself am working with cocos2d-x (it's just a c++ port of cocos2d) and it has samples for dynamic filters (it's just like you create and manipulate a mesh and all the things are done automaticaly), it uses CCActionGrid class but i just didn't used this class yet if you couln't solve your problem using that ask me to search deeper.
http://pixlatedstudios.com/2012/02/fruit-ninja-like-blade-effect/
Worth Checking out!!!! based on hiepnd CCBlade tutorial.
I want to ask about jelly physics ( http://www.youtube.com/watch?v=I74rJFB_W1k ), where I can find some good place to start making things like that ? I want to make simulation of cars crash and I want use this jelly physics, but I can't find a lot about them. I don't want use existing physics engine, I want write my own :)
Something like what you see in the video you linked to could be accomplished with a mass-spring system. However, as you vary the number of masses and springs, keeping your spring constants the same, you will get wildly varying results. In short, mass-spring systems are not good approximations of a continuum of matter.
Typically, these sorts of animations are created using what is called the Finite Element Method (FEM). The FEM does converge to a continuum, which is nice. And although it does require a bit more know-how than a mass-spring system, it really isn't too bad. The basic idea, derived from the study of continuum mechanics, can be put this way:
Break the volume of your object up into many small pieces (elements), usually tetrahedra. Let's call the entire collection of these elements the mesh. You'll actually want to make two copies of this mesh. Label one the "rest" mesh, and the other the "world" mesh. I'll tell you why next.
For each tetrahedron in your world mesh, measure how deformed it is relative to its corresponding rest tetrahedron. The measure of how deformed it is is called "strain". This is typically accomplished by first measuring what is known as the deformation gradient (often denoted F). There are several good papers that describe how to do this. Once you have F, one very typical way to define the strain (e) is:
e = 1/2(F^T * F) - I. This is known as Green's strain. It is invariant to rotations, which makes it very convenient.
Using the properties of the material you are trying to simulate (gelatin, rubber, steel, etc.), and using the strain you measured in the step above, derive the "stress" of each tetrahdron.
For each tetrahedron, visit each node (vertex, corner, point (these all mean the same thing)) and average the area-weighted normal vectors (in the rest shape) of the three triangular faces that share that node. Multiply the tetrahedron's stress by that averaged vector, and there's the elastic force acting on that node due to the stress of that tetrahedron. Of course, each node could potentially belong to multiple tetrahedra, so you'll want to be able to sum up these forces.
Integrate! There are easy ways to do this, and hard ways. Either way, you'll want to loop over every node in your world mesh and divide its forces by its mass to determine its acceleration. The easy way to proceed from here is to:
Multiply its acceleration by some small time value dt. This gives you a change in velocity, dv.
Add dv to the node's current velocity to get a new total velocity.
Multiply that velocity by dt to get a change in position, dx.
Add dx to the node's current position to get a new position.
This approach is known as explicit forward Euler integration. You will have to use very small values of dt to get it to work without blowing up, but it is so easy to implement that it works well as a starting point.
Repeat steps 2 through 5 for as long as you want.
I've left out a lot of details and fancy extras, but hopefully you can infer a lot of what I've left out. Here is a link to some instructions I used the first time I did this. The webpage contains some useful pseudocode, as well as links to some relevant material.
http://sealab.cs.utah.edu/Courses/CS6967-F08/Project-2/
The following link is also very useful:
http://sealab.cs.utah.edu/Courses/CS6967-F08/FE-notes.pdf
This is a really fun topic, and I wish you the best of luck! If you get stuck, just drop me a comment.
That rolling jelly cube video was made with Blender, which uses the Bullet physics engine for soft body simulation. The bullet documentation in general is very sparse and for soft body dynamics almost nonexistent. You're best bet would be to read the source code.
Then write your own version ;)
Here is a page with some pretty good tutorials on it. The one you are looking for is probably in the (inverse) Kinematics and Mass & Spring Models sections.
Hint: A jelly can be seen as a 3 dimensional cloth ;-)
Also, try having a look at the search results for spring pressure soft body model - they might get you going in the right direction :-)
See this guy's page Maciej Matyka, topic of soft body
Unfortunately 2d only but might be something to start with is JellyPhysics and JellyCar